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Spider-Man: Into the Spider-Verse (2018)

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0:31 | Trailer
Teen Miles Morales becomes Spider-Man of his reality, crossing his path with five counterparts from other dimensions to stop a threat for all realities.

Writers:

Phil Lord (screenplay by), Rodney Rothman (screenplay by) | 2 more credits »
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Popularity
6 ( 1)

'Spider-Verse' Cast Share Their Dream Spidey Versions

From Spider-Ma'am to a hip-hop version of the superhero, the stars of Spider-Man: Into the Spider-Verse share the versions of Spider-Man that they want to see on the big screen.

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Top Rated Movies #26 | Nominated for 1 Oscar. Another 35 wins & 37 nominations. See more awards »

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Cast

Cast overview, first billed only:
Shameik Moore ... Miles Morales (voice)
Jake Johnson ... Peter B. Parker (voice)
Hailee Steinfeld ... Gwen Stacy (voice)
Mahershala Ali ... Uncle Aaron (voice)
Brian Tyree Henry ... Jefferson Davis (voice)
Lily Tomlin ... Aunt May (voice)
Luna Lauren Velez ... Rio Morales (voice)
Zoë Kravitz ... Mary Jane (voice)
John Mulaney ... Spider-Ham (voice)
Kimiko Glenn ... Peni Parker (voice)
Nicolas Cage ... Spider-Man Noir (voice)
Kathryn Hahn ... Doc Ock (voice)
Liev Schreiber ... Wilson Fisk (voice)
Chris Pine ... Peter Parker (voice)
Natalie Morales ... Miss Calleros (voice)
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Storyline

Miles Morales is a New York teen struggling with school, friends and, on top of that, being the new Spider-Man. When he comes across Peter Parker, the erstwhile saviour of New York, in the multiverse, Miles must train to become the new protector of his city. Written by Tom Daly

Plot Summary | Plot Synopsis

Taglines:

Enter a universe where more than one wears the mask. See more »


Certificate:

6 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

20 December 2018 (Netherlands) See more »

Also Known As:

Spider-Man: Un nuevo universo See more »

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Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend USA:

$35,363,376, 16 December 2018, Wide Release

Gross USA:

$161,917,707, 22 January 2019

Cumulative Worldwide Gross:

$326,249,641, 21 January 2019
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

This was animator Bob Persichetti's directorial debut. See more »

Goofs

Miles, strangely, blames himself for 'being followed' to Aunt May's house, when by then it was public knowledge that May's nephew was Spider-Man. (The memorials placed in front of her house are evidence of this ubiquity; although, as another plot hole, the obviousness of the backyard shed being a brightly glowing, emblem-showing Spider-Cave entry door would have tipped off the neighbors long before Spider-Man's passing, that May knows Spider-Man). Either way, it makes perfect sense to assume the villains would go to May's to find the Spider-Men they were pursuing. See more »

Quotes

[first lines]
Peter Parker: [narrating] Alright, let's do this one last time. My name is Peter Parker. I was bitten by a radioactive spider and for ten years I've been the one and only Spider-Man. I'm pretty sure you know the rest. I saved a bunch of people, fell in love, saved the city, and then I saved the city again and again and again... And, uh... I did this.
[shot of Spidey doing the emo dance from "Spider-Man 3"]
Peter Parker: We don't really talk about this. Look, I'm a comic book, I'm a cereal, did a Christmas album...
See more »

Crazy Credits

The Columbia Pictures, Marvel, Sony Pictures Animation and Pascal Pictures logos are affected by the Super Collider device, causing them each to shift between various alternate versions. See more »

Connections

Referenced in I Hate Everything: Superhero Movies (2017) (2018) See more »

Soundtracks

Capullito de Alelí
Written by Rafael Hernández (as Rafael Hernández Marin)
Performed by Thutmose, Elena Rita Ortiz & The Rafael Hernández Orchestra
Courtesy of Grabaciones - Institute of Puerto Rican Culture
See more »

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User Reviews

 
The better the art, the harder it is to find the right words to describe it.
21 December 2018 | by thinslicingSee all my reviews

Sure, we can dissect and critique and praise using any number of words we choose, but in the end to actually appreciate truly great art, it simply must be experienced in the medium in which it was created. For this movie, it was lovingly crafted in 3D, and so in my opinion can only be fully realized by the viewer in 3D.

What is a comic book movie, and what makes it great? From the original Superman where we first saw a comic book hero fly, to Burton's dark and stylized Batman, to the graphic novel style Sin City, live action ensemble X-MEN, Spider-Man, Iron-Man, The Dark Knight, the entire MCU....all of these are comic book movies, and depending on your personal definition probably range from good to great. And they're all live action with varying degrees of special effects, and some with animation. If you had to pick ones that 'feel the most like a comic book', you'd probably pick Sin City for the overall look, and the phase 3 MCU films for a combination of visuals and capturing the tone and spirit of the comic book story arcs.

But they aren't literally animated comics. The closest to that would probably be the animated movies, right? Like Mask of the Phantasm or any number of the Marvel animated movies. But again those are really 'just cartoons', and I don't mean that in a bad way. They're simply cartoon versions of comic books.

Spider-Man: Into The Spider-Verse is quite literally an animated comic book, and yet it is so much more at the same time. It's an explosion of comic book ink and paper, a dizzying palette of superbly rich colors, a jaw dropping display of digital artistry melded with living, breathing characters we care about, a story that is perfectly derived from the very medium in which it is being created and yet not for one single moment ever feels forced or hollow, a soundtrack fused with an endless exploration of a massive city, staggeringly sized scientific chambers, gigantic forests, and neon-electric-digital-dreamscapes of action set pieces that whir and click and come to life exactly as they do in the minds of children reading them on paper.

This movie is breathtakingly good in every aspect. Like-I'm-questioning-my-sanity-is-it-really-as-good-as-I-think-it-is!?!? Yes. Yes yes yes.

Remember the old Sega game Comix Zone? And how it was like "oh wow! It's a comic book come to life!"? This is like that, with modern technology, cranked up a thousand times.

But here's the most important part - *it was all done in the right way, by the right people, at the right time*. It feels like this project was greenlit and handed to the very people who created comic books themselves with a "here ya go, you have full creative control. Oh and by the way you have an unlimited budget! And resources! Have as much fun making a great movie as you possibly can!"

My first job was working in a movie theater. I took full advantage of being able to see free movies. I've built a decent surround sound system with all the creature comforts and have a growing library of movies. From the re-release of the original Star Wars trilogy, to each of the prequels and to the ongoing trilogy today, T-2, Titanic, the original X-Men, Avatar, The Dark Knight, Avengers, Avengers: Infinity War and so many more...I've gone to many, many big movie theater events for the experience. And I can safely say hands down that Spider-Man: Into the Spider-Verse in 3D is the best moviegoing experience I have ever had. It's that great.


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