Based on a true story that shocked the nation in 1965, the film recounts one of the most shocking crimes ever committed against a single victim. Sylvia and Jennie Fae Likens, the two daughters of traveling carnival workers are left for an extended stay at the Indianapolis home of single mother Gertrude Baniszewski and her six children. Times are tough, and Gertrude's financial needs cause her to make this arrangement before realizing how the burden will push her unstable nature to a breaking point. What transpires in the next three months is both riveting and horrific.Written by
Ellen Page and Evan Peters also star together in the X-Men movies; Page played Kitty Pryde also known as Shadowcat and Peters played Peter "Quicksilver" Maximoff. See more »
When a shot of the front of the house is shown, you can see that there is a red Chevrolet Corvette '68 parked in front of the neighbor's. At that time, the story is set in 1965. See more »
[sees her "escaping"]
[sobbing, whimpering and cringing as he comes near her]
No, no, please. Please don't, please.
No, no, no, I'm not gonna hurt you. I swear to God, I promise, I promise. Look, I'm sorry. I didn't know what the hell I was doing, all right? Look, you gotta believe me, please. Please. You wanna get out of here? You wanna go? Let's go.
[helps Sylvia up]
Come on. You're all right.
[they go to the car and Ricky gets in after helping Sylvia in]
Where are we going?
[...] See more »
The final credit states "Sylvia Likens, 1949-1965". See more »
AN American CRIME is a problematic little reenactment of a real criminal case of child abuse dating back to 1965. The story is horrifying and while the film places the facts in our faces, the impact of the film is out of focus. This is due to the script that elects to glaze over the motivational aspects of a brutal crime in favor of attempting to investigate fully the mindset of both the perpetrator and the victims. Were it not for some sterling performances by Catherine Keener and Ellen Page this film might be easily dismissed: the strength of these actresses to overcome a weak script and manage to involve us is much to their credit as artists.
Indiana, 1965, and Gertrude Baniszewski (Catherine Keener) is a 'borderline' single mother of several children who is asked to take care of Sylvia (Ellen Page) and Jennie Likens (Hayley McFarland) while the girls parents remain on the road as carnies, promising to send checks to help support their farmed out children. Gertrude is a woman of loose morals who adds babies to her large family during liaisons with young men like the itinerant Dennis (James Franco). Gertrude takes in laundry to support her household and requires her young children to work toward the same goal. A friction develops between Sylvia and Jenny and the children by Gertrude's illicit adventures as well as covert sexual similarities surfacing in her children and at 'family meetings' Gertrude doles out punishment for Sylvia - punishment including cigarette burns, coke bottle insertions, branding etc. - all of which are undeserved and eventually lead to Sylvia's imprisonment in the basement where Gertrude and her children and their friends daily torture Sylvia. Eventually Sylvia dies and Gertrude and family are brought to court for charges of first-degree murder and variations thereof. The court proceedings (under the leadership of lawyer Leroy K. New played by Bradley Whitford) provide the story drivers as each allegation is then acted out by flashbacks until the verdicts are reached.
Catherine Keener is superb as the deranged, maladaptive Gertrude and Ellen Page adds yet another feather to her cap in a role that in another actor's hands could have been over the top. Writer/director Tommy O'Haver (the script was written with the aid of Irene Turner) does manage to show us the facts of this atrocity yet fails to go inside the characters to give us the psychobiographies this film has the potential for illuminating. It may well repel some viewers, but it does bring to the forefront a crime that is all too common in this country.
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