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Der Himmel über Berlin (1987)

An angel tires of overseeing human activity and wishes to become human when he falls in love with a mortal.

Director:

Wim Wenders

Writers:

Wim Wenders (screenplay by), Peter Handke (screenplay by)
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Popularity
3,961 ( 641)
Nominated for 1 BAFTA Film Award. Another 18 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bruno Ganz ... Damiel
Solveig Dommartin ... Marion
Otto Sander ... Cassiel
Curt Bois ... Homer
Peter Falk ... Peter Falk
Hans Martin Stier Hans Martin Stier ... In weiteren Rollen - Der Sterbende
Elmar Wilms Elmar Wilms ... In weiteren Rollen - Ein trauriger Mann
Sigurd Rachman Sigurd Rachman ... In weiteren Rollen - Der Selbstmörder
Beatrice Manowski ... In weiteren Rollen - Das Strichmädchen
Lajos Kovács Lajos Kovács ... Im Zirkus - Marion's Trainer
Bruno Rosaz Bruno Rosaz ... Im Zirkus - Der Clown
Laurent Petitgand Laurent Petitgand ... Im Zirkus - Der Kapellmeister
Chick Ortega Chick Ortega ... Im Zirkus - Der Schlagzeuger (as Chico Rojo Ortega)
Otto Kuhnle Otto Kuhnle ... Im Zirkus - Die Jongleure
Christoph Merg Christoph Merg ... Im Zirkus - Der Jongleure
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Storyline

Visible only to those like them and to human children, Damiel and Cassiel are two angels, who have existed even before humankind. Along with several other angels, they currently wander around West Berlin, generally on their own, observing and preserving life, sometimes trying to provide comfort to the troubled, although those efforts are not always successful. Among those they are currently observing are: the cast and crew of a movie - a detective story set in WWII Nazi Germany - which include a sensitive and perceptive Peter Falk; an elderly man named Homer looking for eternal peace; and the troupe of a financially failing circus, which has closed early for the season because of those financial problems. One day, Damiel tells Cassiel that he wants to become human, to feel not only the sensory aspects of physical beings, but also emotional aspects. He embarks on this thought with the full realization that there is no turning back if he decides to do so. His thoughts are largely ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

There are angels on the streets of Berlin.

Genres:

Drama | Fantasy | Romance

Certificate:

See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

West Germany | France

Release Date:

3 March 1988 (Netherlands) See more »

Also Known As:

Las alas del deseo See more »

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Box Office

Opening Weekend USA:

$12,885, 21 October 2018, Limited Release

Gross USA:

$3,210,139
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color (Eastmancolor)| Black and White (partly)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The film is included on Roger Ebert's "Great Movies" list. See more »

Goofs

When Damiel meets Falk at the hot dog stand, the time of day shifts during the scene. Damiel is seen a dull and gray day. Falk is seen in sharp artificial light with a dark window behind him, typical for a night shot. See more »

Quotes

[first lines]
[in German, using English subtitles]
Damiel: [voiceover] When the child was a child, it walked with its arms swinging. It wanted the stream to be a river, the river a torrent, and this puddle to be the sea. When the child was a child, it didn't know it was a child. Everything was full of life, and all life was one. When the child was a child, it had no opinion about anything, no habits. It often sat cross-legged, took off running, had a cowlick in its hair, and didn't make faces when ...
See more »

Crazy Credits

Dedicated to all the former angels, but especially to Yasujiro, François and Andrej. See more »

Connections

Featured in Auge in Auge - Eine deutsche Filmgeschichte (2008) See more »

Soundtracks

The Carny
Written by Nick Cave (uncredited)
Performed by Nick Cave & The Bad Seeds (as Nick Cave and The Bad Seeds)
See more »

Frequently Asked Questions

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User Reviews

 
One of the greatest movies of the late 20th century
14 July 2004 | by HermesPanSee all my reviews

There are so many comments written about this movie, I almost don't want to write anything - but here I am anyway :)

Though everyone is entitled to their own opinion, it disturbs me to read negative comments that WOD is 'too slow' or that Wenders should have been a still life photographer. I think that some people are missing the point of this movie. Wenders filmed this after having been part of the Hollywood machine for several years, and had grown sick of the cookie cutter films that were (and still are) being made in that tradition to produce ticket sales. Yes, this movie doesn't have loads of action and car chase scenes and guns and sex. It does offer some interesting perspectives. The consistent third person view and 'objectification' of the viewer is one aspect. Watching WOD, you don't feel the typical draw into the movie as so often is the case, but rather are a bystander, looking through a window, with your own thoughts and ideas a part of the movie, not the other way around. WOD doesn't allow you to become a subjective part of the film; it 'pushes' you away from empathizing. Even the camera angles and shots motivate this sentiment. The goal and direction of the film are presented without struggle or thought; you know that Damiel wants to be with Marion. He tells Cassiel this, and the only question is - how will he achieve this goal?

WOD belies a sense of traditional film-making. Peter Falk is presented as perhaps the 'idea' of history as fans call out 'Colombo!' The angels are bound to Berlin, existing in a purgatory neither heaven or hell, unable to communicate. The trapeze artist from a traveling circus representing freedom - not only freedom from an everyday lifestyle, but also the key to Damiel's freedom. This movie contains so many interesting ideas and perspectives, that when watched with an open, curious mind, it is fascinating, mesmerizing, calming and inspirational. Filmed entirely in Berlin, the city is not a traditional definition of beautiful. But the industrial, modernist, post WW II reconstructed Berlin is stunning and diverse, providing the perfect background for this modern classic. I cannot recommend this movie enough. But please watch it with open eyes. In the same sense you cannot listen to the music of Schoenberg or Stravinsky as you would Mozart, you cannot watch Wings of Desire as you would a Spielberg movie.


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