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A Passage to India (1984)

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1:55 | Trailer
Cultural mistrust and false accusations doom a friendship in British colonial India between an Indian doctor, an Englishwoman engaged to marry a city magistrate, and an English educator.

Director:

David Lean

Writers:

E.M. Forster (by), E.M. Forster (based on the novel by) | 2 more credits »
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Won 2 Oscars. Another 20 wins & 26 nominations. See more awards »

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Cast

Cast overview, first billed only:
Judy Davis ... Adela
Victor Banerjee ... Aziz
Peggy Ashcroft ... Mrs. Moore
James Fox ... Fielding
Alec Guinness ... Godbole
Nigel Havers ... Ronny
Richard Wilson ... Turton
Antonia Pemberton Antonia Pemberton ... Mrs. Turton
Michael Culver ... McBryde
Art Malik ... Ali
Saeed Jaffrey ... Hamidullah
Clive Swift ... Major Callendar
Ann Firbank ... Mrs. Callendar
Roshan Seth ... Amritrao
Sandra Hotz ... Stella
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Storyline

It's the early 1920s. Britons Adela Quested and her probable future mother-in-law Mrs. Moore have just arrived in Chandrapore in British India to visit Adela's unofficial betrothed, Ronny Heaslop, who works there as the city's magistrate. Adela and Mrs. Moore, who long for "an adventure" in experiencing all India has to offer, are dismayed to learn upon their arrival that the ruling British do not socialize, let alone associate, with the native population, such people as the Turtons, Mr. Turton being Ronny's superior, who openly thumb their noses at the idea in their belief that the Indians are an inferior people. They are further dismayed to see that Ronny adheres to that custom in not wanting to jeopardize his career. At the local white only club, Adela and Mrs. Moore find a like-minded Brit in the form of Richard Fielding, the school master at government college, he who offers to organize a small, but truly inclusive, social gathering with some natives for them, unlike the large ... Written by Huggo

Plot Summary | Plot Synopsis

Plot Keywords:

india | doctor | cave | 1920s | small town | See All (72) »

Taglines:

David Lean, the Director of "Doctor Zhivago", "Lawrence of Arabia" and "The Bridge on the River Kwai", invites you on . . .[A Passage to India]


Certificate:

AL | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English | Hindi

Release Date:

4 April 1985 (Netherlands) See more »

Also Known As:

Pasaje a la India See more »

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Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend USA:

$84,580, 16 December 1984, Limited Release

Gross USA:

$27,187,653
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Stereo

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Sir Alec Guinness spent several weeks learning an intricate Hindu dance for a scene that ended up on the cutting room floor. See more »

Goofs

Exiting the caves, Mrs. Moore sees a full moon overhead in the mid-day sky. This is an astronomical impossibility, but it is shown in the film to highlight the powerful effect that the caves have on the human mind. The caves would also deeply affect Adela a little while later, but with much more serious consequences. See more »

Quotes

Turton: [in a club meeting] There is a certain member here present who is known to be in contact with the defense. One can't run with the hare and hunt with the hounds - at least not in this country!
Richard Fielding: I'd like to say something.
Turton: Please do.
Richard Fielding: I believe Dr. Aziz is innocent. I will await the verdict of the jury. If he is found guilty, I will resign my post and leave India. I resign from the Club now!
[exits]
See more »

Connections

Spoofed in Stiff Upper Lips (1998) See more »

Soundtracks

The Sun, whose Rays are All Ablaze
(uncredited)
Music by Arthur Sullivan
Words by W.S. Gilbert
Sung by James Fox
See more »

Frequently Asked Questions

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User Reviews

 
Lean's silent scene suggests reason for court case.
10 April 2006 | by jrcadamsSee all my reviews

Films based on novels (as in this case) must rely on screenplays which condense the material, and supply either voice-overs, or visuals to explain what is going on in a character's head. Usually, a voice-over is a cop-out. David Lean has provided a brilliant substitute for a voice-over in the scene where Adela wanders on her bicycle into the bush to discover a Hindu temple. A central mystery in the book as well as in the film is the ambiguity of the cause for the court case. Forster said that judgment was up to the reader. Lean was a reader, and in my view, he made his decision, and provided us with a clue in that scene (which is not in the book). Here is that scene: Adela leaves the safe British compound on an exploratory trip with a bicycle. She leaves the highway, and cycles down a path through the weeds. The sign- post, which had appeared quite natural when she looked at it, now looks like a Christian Cross when she leaves the road and goes down the path. The music changes from a major key to the minor, suggesting mystery, or menace. She is leaving her familiar culture and riding into the unknown. She sees a fallen sculpture. A voluptuous sculpture. She doesn't turn back. As she rides farther, the weeds grow higher. She is being engulfed by India. She dismounts as she approaches a copse, and walks into the shadows. She sees a ruined Hindu temple covered with erotic sculptures. Amourous couples are coupling. She stares at these apparitions, so abandoned, and so alien to her proper Victorian up-bringing. She is attracted by the spectacle, but she is frightened by her attraction. Suddenly she hears a noise, and looks up to see a troop of monkeys. They chatter menacingly at her and begin to scamper down the temple, over the erotic sculpture, and in panic she flees. Could the monkeys symbolize that emotional, sensual, animal nature that lives in everyone but is supposed to be suppressed in Englishwomen (and American ones, for that matter!)? Are they saying, "This is our land, the land of emotion; you do not belong here"? India attracts her. It awakens hidden desires. It menaces her. She flees to the familiar, visibly shaken. Back at the bungalow, with her fiancé, she says "I want to take back what I said at the polo," which was that she wanted to delay the wedding. She was so frightened by the feelings rising in her as she tasted a bit of Indian culture that she wanted to put a stop to passion by marrying! And all of that was said in the film without words. It provides us with a rationale for believing she later suffered an hallucination, which is at the core of the plot.


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