A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel.Written by
J. S. Golden
A young Simon Cowell had a job polishing Jack Nicholson's axe. See more »
When Wendy brings Jack breakfast in bed, she brings him eggs made sunny side up. Any eggs should have been frozen processed egg product. Fresh eggs would not be available because all food would have to withstand 6 months of storage. Any milk would have to be powdered. Their provisions would most likely be the same as those staying the winter at the south pole station in Antarctica. Any perishable items like fresh produce or vegetables would have been removed prior to the departure of the staff. See more »
Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.
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The movie's opening titles are also the only instance in any Kubrick film where scrolling credits, rather than title cards, are used. See more »
Three days after the release of the film, Stanley Kubrick and Warner Bros. ordered all projectionists to cut about 2 minutes from the end of the film, and send the footage back to the studio. Starting after the closeup of frozen Jack, the camera goes to a pullback shot with part of a state trooper's car and the legs of troopers walking around in the foreground. We then cut to the hotel manager Stuart Ullman (Barry Nelson) walking down a hospital hallway to the nurse's station to inquire about Danny and Wendy. He's told they're both doing well and proceeds to Wendy's room. After some gentle conversation, he tells Wendy that searchers have been unable to locate any evidence of the apparitions she saw. Additionally, Jack's body cannot be located. We then cut to the camera silently roaming the halls of the Overlook Hotel for about a minute until it comes up to the wall with the photographs, where it [back to the ending as it is now known] fades in on the photo of Jack in the 1921 picture. See more »
Even though The Shining is over a quarter of a century old, I challenge anyone to not get freaked out by Jack Nicholson's descent into madness. This is a rare example of something so unique that no one has been able to rip it off; instead it has been referenced time and again in pop culture. The twins, the elevator of blood, RedRum, the crazy nonsense "writing"... this should be seen, if for nothing else, to understand all the allusions to it in daily life. The film is simultaneously scary, suspenseful, beautiful, and psychologically intriguing. It has the classic mystery of Hitchcock and the terror of a modern thriller. And it has what horror movies usually lack: a great script.
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