An aging actress is being sued for breach of promise. She hires as her lawyer a man who was an ex-lover, and is still in love with her, although she doesn't know it. She realizes that the ... See full summary »
Graham Weir is an alcoholic schoolteacher whose criminal record for refusing to fight during World War II has prevented him from progressing further in his teaching career. He is looked ... See full summary »
Paul was injured while playing polo. He then learns that he is paralyzed from the waist down. Feeling despondent, he decides to go to his grandfather's ranch. He meets Marnie a horse ... See full summary »
Debbie Reynolds and hundreds of children, from toddlers to teens, star in a musical salute to the days of the week. They sing rhymes for each day, and note the special qualities attributed to children born on that day.
Playwright William Inge never liked Shirley Booth, or her brilliant performance as Lola in the Broadway and original film versions of "Sheba" -- he wanted an actress that would be believable as a faded beauty. Inge did not live to see Woodward's version of Lola, but he probably would have adored it -- he knew her as a young beauty when she understudied Janice Rule in his "Picnic" on Broadway. But the curse on Lola's husband "Doc" endures, and Olivier is as miscast as Lancaster was in the '52 film. It's one of his hammiest performances. A very young Carrie Fisher is natural and luminous as Marie, and Woodward is wonderful as always, but there's no escaping the long shadow of Booth's heartbreaking, legendary performance, which remains the heart and soul of "Sheba." Inge was wrong.
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