34 user 13 critic

De Humorist (1960)

The Entertainer (original title)
Archie Rice, an old-time British music hall performer sinking into final defeat, schemes to stay in show business.


Tony Richardson


John Osborne (adapted from the play by), John Osborne (screenplay) | 1 more credit »
Nominated for 1 Oscar. Another 1 win & 4 nominations. See more awards »


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Cast overview, first billed only:
Laurence Olivier ... Archie Rice (as Lawrence Olivier)
Brenda de Banzie ... Phoebe Rice (as Brenda De Banzie)
Roger Livesey ... Billy Rice
Joan Plowright ... Jean Rice
Alan Bates ... Frank Rice
Daniel Massey ... Graham
Albert Finney ... Mick Rice
Shirley Anne Field ... Tina Lapford (as Shirley Ann Field)
Thora Hird ... Ada Lapford
Miriam Karlin Miriam Karlin ... Soubrette
Geoffrey Toone ... Harold Hubbard
MacDonald Hobley MacDonald Hobley ... McDonald Hobley (as McDonald Hobley)
Anthony Oliver Anthony Oliver ... Interviewer
Max Bacon Max Bacon ... Charlie Klein
George Doonan George Doonan ... Eddie Trimmer


On the far side of middle age, Archie Rice lives in a British seaside resort with his father, retired successful vaudevillian Billy Rice, second wife Phoebe Rice, and doting son Frank Rice. Following in retired Billy's footsteps, Archie is a song-and-dance music hall headliner, with Frank supporting his dad as his shows' stage manager. The waning popularity of Archie's type of shows, a dying form of entertainment, is not helped by Archie's stale second rate material, which brings in small unappreciative crowds. Archie clings to his long held lifestyle, including heavy drinking and chronic infidelity, of which Phoebe is aware. What Archie has not told his offspring is that Phoebe was his mistress while he was still married to their now deceased mother. His want to be a music hall headliner is despite his financial problems, he an undischarged bankrupt who now signs Phoebe's name to everything. Phoebe wants them to escape this life to something more stable, such as the offer from her ... Written by Huggo

Plot Summary | Add Synopsis


As the applause grew fainter ... As the spotlight grew dimmer ... His women were younger!




14 | See all certifications »






Release Date:

18 January 1962 (Netherlands) See more »

Also Known As:

De Humorist See more »

Company Credits

Show more on IMDbPro »

Technical Specs


| (TCM print)

Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.66 : 1
See full technical specs »

Did You Know?


According to the April 21, 1958, edition of Time Magazine, as an addendum to its cover story on Sir Alec Guinness, in 1957, Sir Laurence Olivier turned down a Hollywood offer of two hundred fifty thousand dollars for one movie. Instead of making the movie and pocketing the cash, Olivier preferred to take on the role of Archie Rice in this movie (a role written specifically for him) at the Princely sum of forty-five pounds sterling per week. See more »


Archie Rice: Did I ever tell you the most moving thing I ever heard?
Jean Rice: OH, dad...
Archie Rice: No, no, it's not a gag. It was when I was in Canada. I used to slip over the border sometimes. One night I heard some Negress singing in a bar. If ever I saw any hope or strength in the human race, it was in the face of that old fat Negress getting up to sing about... Jesus, or something like that. I never even liked that kind of music, but to see that old bag singing her heart out to the whole world... And you knew somehow that...
See more »


Featured in The 51st Annual Academy Awards (1979) See more »


The Boy I Love Is Up in the Gallery
Written by George Ware
Performed by Brenda de Banzie and Joan Plowright
See more »

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User Reviews

How could anyone be anything but enthralled by this?
28 April 2013 | by AlsExGalSee all my reviews

As an American, getting a peek at post-War Britain in decline, a look at Olivier as a most interesting character in the person of never-was vaudevillian Archie Rice, and a look at several British players (Joan Plowright, Anthony Bates, and Albert Finney) very early in their careers is priceless.

Archie Rice is a despicable character, and the drama centers on his problems of having all of his financial issues - including some long overdue tax debt - come to a head just as he can finally get no more work as a vaudevillian even in the bad music halls. He has a way out - one of his relatives will pay off his debts if he'll accept his drunken wife's nephew's offer to run a motel in Canada. But like any Briton who can remember England's finer days he's just not about to cut and run, and even though I can despise the lying, the cheating on his used up wife, his odd ideas about parenting, and his willingness to use his own father, I can't help but admire his "pioneer spirit" to use an American term. He'd rather fail on his own terms than succeed on someone else's.

Joan Plowright is the other lead, and she plays Archie's daughter, Jean. She shows some pioneer spirit herself. She shares some characteristics with dad - she's a painter who can't paint, Archie's a vaudevillian who can't entertain. Unlike dad, she owns up to her shortcomings and wants to make a contribution anyways by teaching art to poor slum kids. She has a way out of Britain just like dad does. Her fiancé has been offered a job opportunity in Africa, and he encourages her to leave her dead country behind, but she just isn't ready to give up on England or her family just yet. The two have a falling out and Jean goes to visit her dysfunctional family, in which she finds comfort.

I just don't get people who say that they don't like this one because it's boring, depressing, ugly. Every minute of this film held my interest and stayed with me long after I'd watched it. I think you need to have lived awhile, to have had disappointments, and to have dealt with those disappointments in ways you may not be proud of to really appreciate this film.

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