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Tweezijdige vrouw (1941)

Two-Faced Woman (original title)
After a ski instructor catches her husband flirting with an old flame, she decides to pose as her (fictitious) twin sister in an attempt to keep him faithful.

Director:

George Cukor

Writers:

S.N. Behrman (original screenplay), Salka Viertel (original screenplay) | 2 more credits »
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1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
Greta Garbo ... Karin Blake
Melvyn Douglas ... Larry Blake
Constance Bennett ... Griselda Vaughn
Roland Young ... O.O. Miller
Robert Sterling ... Dick Williams
Ruth Gordon ... Miss Ellis
Frances Carson Frances Carson ... Miss Dunbar
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Storyline

While at a ski lodge, Larry Blake sees instructor Karin Borg and decides to sign up for private lessons. The next thing he knows, she is Mrs. Blake. When he announces that he is going back to work on his magazine in New York the next day, Karin refuses to go with him. She later comes to New York, buys expensive clothes, and goes to meet him when she sees he is with old flame Griselda. Caught by Blake's business partner, O.O. Miller, before she can leave, she explains that she is really Karin's twin sister Katherine. Hard to believe, but that is what she tries to make everyone, including Larry, believe. Larry, however, has serious doubts, but plays the game to the hilt as the worldly Katherine tries to take him away from both Griselda and Karin. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Taglines:

THEY'RE RUNNING WILD! THEY HAVE NO BRAKES! THEY'V E LOST CONTROL! (original 6.5.5 newspaper ad - all caps) See more »

Genres:

Comedy | Romance

Certificate:

See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

2 March 1942 (UK) See more »

Also Known As:

Tweezijdige vrouw See more »

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Box Office

Budget:

$316,000 (estimated)

Gross USA:

$875,000

Cumulative Worldwide Gross:

$925,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Public rejection of this film was so extreme that in response, Greta Garbo bought out the remainder of her MGM contract and went into self-imposed retirement, never making another motion picture. See more »

Goofs

When Karin has Larry's business partner and secretary in for breakfast, the shadow of the boom microphone can be seen moving on the kitchen's stone wall and door frame. See more »

Quotes

Katherine Borg: I like older men. They're so grateful.
See more »

Alternate Versions

Although given a PCA approval certificate, the released film was heartily condemned by the Catholic Church, which applied enough pressure to force MGM to revise the film, and replace the existing copies for future bookings. The major problem was that Melvyn Douglas thought he was seducing his wife's twin sister in the original version, which also had a few risque scenes. These were eliminated, and a scene was added where Douglas calls the ski lodge to find out his wife left, so that he knows the twin is really his wife. The net effect was to reduce the movie's running time to 90 minutes (from the original 94 minutes). This is the version Turner Classic Movies shows every once in a while. This also might also explain the late copyright date and copyright length of 90 minutes. See more »

Connections

Featured in Garbo (2005) See more »

Soundtracks

Chica-Choca
(uncredited)
Music by Bronislau Kaper
Lyrics by Roni
Danced by Greta Garbo, Robert Alton and chorus of nightclub patrons
See more »

Frequently Asked Questions

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User Reviews

 
Garbo Stumbles
24 September 2006 | by krorieSee all my reviews

The legends surrounding Geta Garbo were like so many deifications, partly true, partly fiction. When Garbo was good, she was very, very good, but when she was bad, she was only average. In "Two-Faced Woman," Garbo assays comedy one more time following her success in Ernst Lubitsch's classic farce, "Ninotchka." This time she nearly falls flat. Garbo's one redeeming feature in the film is the outlandish dance she performs midway through the show. It is indeed a marvel to behold and worth the price of admission.

Almost all the other Thespians in "Two-Faced Woman" out shine the star, especially Constance Bennett, giving a wonderful personification of an acerbic bitch determined to keep her hooks in fresh meat. The gifted actor Melvyn Douglas shows his flare for comedy in a Cary Grant-type role, fun to watch in a slap-stick finale down a ski slope. The indomitable Ruth Gordon makes the most in a small role as Douglas' secretary. Bennett's former "Topper" colleague, Roland Young, is perfect as, again, a lecherous old man. Future TV "Topper" star Robert Sterling shows why he was chosen to portray George Kerby over a decade later.

Another problem with "Two-Faced Woman" is the hackneyed story and script. Director George Cukor hoped to strike pay dirt a second time with a screwball comedy along the lines of his brilliant "The Philadelphia Story," utilizing a title similar to his recently successful "A Woman's Face." Unfortunately, he was let down by the writers, who gave him a theme already old hat. Bedroom farces involving mistaken identities, twins and lookalikes, etc., were passé by 1941. The popular Fred Astair, Ginger Rogers musicals of the 1930's employed such gimmicks in a fresh and original manner. The twins ploy of "Two-Faced Woman" just doesn't work.

Karin Borg (Garbo), a ski instructor, meets and falls in love with Larry Blake (Douglas), a magazine writer. Following a whirlwind courtship that lasts only a few days, the two decide to tie the knot. Once married, however, their varied lifestyles clash. Larry spends most of his time in New York City away from Karin, who refuses to follow him, enjoying the life she already has. Distraught by visions of being two-timed and having her marriage canned, Karin heads for New York City, ending up incognito as her non-existing twin sister, Katherine. That Larry tends to be a philander becomes more evident as Karin sees her husband with other women, one in particular, Griselda Vaughn (Bennett). Katherine finds herself in the dubious position of competing not only against Griselda but against her own alter ego, Karin.

Perhaps the shortcomings of "Two-Faced Woman" helped Garbo in deciding to retire from motion pictures. She never made another film. Though "Two-Faced Woman" is not a dud, it is below standards Garbo had set for herself.


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