Tiffany Haddish and her Girls Trip director Malcolm D. Lee reteam in the Kevin Hart produced star vehicle Night School. A film which epitomises Hart’s career at the moment as an average simplistic venture into comedy that offers very little in the wake of either originality or personality, yet the recipient of financial success with such a weak time for the genre available for audiences to indulge and celebrate.
Night School is as straightforward and inconsequential, both contextually and conceptually, as one can imagine for such a venture. It is a grab and run sort of operation at the core of production. A cash grab if you will.